Pricing

Writers never pay.

The room is funded by the people who come to it for songs — never by a cut of a writer’s work. No commission, no pay-to-play, on anything, ever.

Three doors

One rule holds everywhere.

Songwriters

Free, always.

Your songs, your call, your money. Cut takes no percentage of anything you place.

  • Describe a song once; June shapes the profile, you approve every word
  • You open or decline every line — no cold contact, ever
  • Keep masters, publishing, and 100% of your fee
  • Your desk: every listen, every line, 30-day sparklines
  • Studios for the work after the yes, versions kept

Invite-only. Nashville first.

Buyers

Membership.

For supervisors, A&R, production companies and brands. Membership keeps the room small and every writer vetted.

  • The unpitched catalog: one-stop songs, genre and tempo filters
  • Post briefs; writers bring songs to you
  • A yes can clear in hours — one signer, master and publishing
  • Shortlists and results export to CSV
  • June reads the room with you, never the audio

Membership pricing comes with your invite — it scales with what you place (sync desk, A&R, brand).

Labels & publishers

Platform.

The same room, white-label, under your name and inside your systems.

  • Isolated tenant: your roster, your catalog, your brand
  • Roster invites, one by one or 25 at a time
  • Pilot metrics: the listed → line → cut funnel, weekly
  • API, webhooks, one-line embed
  • Enterprise SSO and custom domains when you’re ready

Trial rooms are free to stand up and fully working; platform pricing follows the pilot review.

Why writers ride free

The moment writers pay, the room stops being honest.

A room funded by writers has a reason to flatter them. A room funded by buyers has a reason to keep the catalog worth paying for. We chose the second — and take no percentage of anything placed in it.